NASA’s Deep Space Climate Observatory (DSCOVR) has returned a breathtaking image of planet Earth from a distance of roughly one million miles from the homeworld. The image captures the full disk of our planet showing a stunning sunbathed vista of blue oceans and swirling clouds, with glimpses of the North and Central America land masses.
Thanks to the proliferation of Earth observation platforms coupled with the all-pervading reach of social media, images of our planet from space are easy to come by. However, most Earth imaging observatories are too close to the planet to capture a complete picture of the complex ecosystem that we call home…
DSCOVR…having reached its planned orbit in February, is capable of snapping regular high detail portraits of spaceship Earth from a staggering 1 million miles above its surface. This new image is a near perfect example of DSCOVR’s capabilities, displaying Earth hanging against the infinite blackness of space, granting a notion of the fragility of our planet, with a beauty to rival any image of Earth’s full disk taken to date…
The image was captured from the orbiter’s Earth Polychromatic Imaging Camera (EPIC), which boasts the capacity to observe our planet with the use of 10 narrowband filters between the ultraviolet to near infrared spectrums. In this case, three separate images were combined to create a finished piece with near photographic-quality.
My new favorite Blue Marble photograph.
The photo, part of Frank’s groundbreaking volume ‘‘The Americans,’’ was taken four days after an encounter with the police in Arkansas that darkened his artistic viewpoint…
Frank says he was most drawn to blacks: the bare-chested boy in the back of a convertible; the woman relaxing beside a field in sunny Carolina cotton country; the dignified men outside the funeral of a South Carolina undertaker, who uncannily bring to mind the day President Obama eulogized Clementa Pinckney. At first, the South was to him ‘‘very exotic — a life I knew nothing about.’’ Then, in November 1955, Frank was traversing the Arkansas side of the Mississippi River, ‘‘just whistling my song and driving on,’’ as he says, when a patrol car pulled him over outside McGehee. The policemen’s report noted that Frank needed a bath and that ‘‘subject talked with a foreign accent.’’ Also suspicious were the contents of the car: cameras, foreign liquor. Frank was on his way to photograph oil refineries in Louisiana. ‘‘Are you a Commie?’’ he was asked.
Ten weeks earlier, Emmett Till was murdered a hundred miles away. ‘‘In Arkansas,’’ Frank recalls, ‘‘the cops pulled me in. They locked me in a cell. I thought, Jesus Christ, nobody knows I’m here. They can do anything. They were primitive.’’ Across the room, Frank could see ‘‘a young black girl sitting there watching. Very wonderful face. You see in her eyes she’s thinking, What are they gonna do?’’ Because his camera had been confiscated, Frank considers the girl his missing ‘‘Americans’’ photograph. Around midnight a policeman told Frank he had 10 minutes to get across the river. ‘‘That trip I got to like black people so much more than white people.’’
RTFA. It’s long and interesting as anything you may find in the NY TIMES Magazine. Which means “very” interesting. I piss and moan about the politics of the TIMES, sometimes. That’s an editorial fault. That’s the fault of owners who like to stay on the side of the American State Department regardless of issue or history.
They have some of the best journalists in the country. Not as often as they used to – but, in the digital age that’s a problem to be expected.
Ahmed’s pic from the Albuquerque Balloon Fiesta has shown up around the world
Apple’s World Gallery, part of the “Shot on iPhone 6″ media blitz, was honored at this year’s Cannes Lions International Festival for Creativity with five Gold Lions and a Grand Prix award in the outdoor category.
…Jury president Juan Carlos Ortiz, creative chairman ad agency DDB Americas, heaped praise on the idea of sourcing media from the public sphere. The strategy flies in the face of traditional media strategies which rely on art contracted from professional photographers.
“It’s not just a great idea, it’s a game changer,” Ortiz said. “It’s really opening a new way of doing things and changing behavior.”
World Gallery first showed up online in March as a collection of images taken by iPhone 6 users. While some images were captured by professionals in the photography field, many were shot by pro-am or amateur users. Earlier this month, Apple added a video section to the minisite, again featuring footage borrowed from iPhone 6 and 6 Plus owners.
I started noticing the video adverts showing up on TV in the last couple of weeks. Not only impressive work in most instances, I’m especially happy to see mostly amateurs receiving recognition.
There was a time, decades ago, that Kodak brought similar capabilities to hobbyist photographers. I’m delighted to see it happening again.
Ten photos — all winners in a contest focusing on “images of weather or the science used to forecast weather, water and climate”
Beautiful work from talented photographers.
Jim McConnell is the sort of Renaissance Man who inevitably spends some portion of his life in and around Santa Fe. Or should. In between stints teaching anthropology, marching for equal rights, writing screenplays in too many countries to count along with too many other crafts to note here – he’s resuming his love affair with photography late-ish in life.
This is one of his.
When he gets round to kicking-off a photo website it will be listed on the photography blogroll sidebar on my personal site. We do like his work very much.
If you’re sitting around somewhere in Boston whining about the heat and humidity, today — remember this!