Click to enlarge — Anuar Patjane
Diving with a humpback whale and her newborn calf while they cruise around Roca Partida … in the Revillagigedo Islands, Mexico. This is an outstanding and unique place full of pelagic life, so we need to accelerate the incorporation of the islands into UNESCO as a natural heritage site in order to increase the protection of the islands against the prevailing illegal fishing corporations and big-game fishing.
Amazing photos – at the gallery containing this, the 1st Place winner in NatGeo’s Traveler Competition. And also click on the link just under the photo above to go to Anuar Patjane’s photos.
Using its robotic arm as a selfie stick, NASA’s Mars rover Curiosity was able to snap some epic low-angle pictures of itself at a site located in the foothills of Mount Sharp earlier this month.
According to BBC News and Space.com, Curiosity snapped the images using the camera at the end of its robotic arm on August 5 while at Marias Pass. NASA officials then took those pictures and stiched them together to create the rover’s latest selfie, which was released on Tuesday…
Compared with previous pictures, this latest Curiosity selfie shows more of its front and underside, and also shows a pair of grey patches located in front of the rover. One patch (the triangular shaped one) is where the samples were extracted from, while the other was where it dumped the powdered rock grain that was too large to be internally analyzed.
Helluva lot more interesting than the crap selfies that pass for entertainment news.
Jack Perkins, who was “filming the line of planes all stacked up during a ground hold,” turned on his camera.
About 17 seconds into the recording, a bolt of lightning struck the Boeing 737-900ER.
Perkins…uploaded the frightening moment on YouTube — a moment that had been viewed more than 36,000 times by Thursday afternoon.
Only a fraction of a second mattered. Of course.
Thanks to California’s historic four-year drought, some specialists are now referring to frequent wildfires as a “new normal” for the state. For the past two years, Los Angeles-based photographer Stuart Palley has been chasing these flare-ups to capture their unusual beauty.
“The fires move fast and you need to get there on the first night of the fire to capture its most intense behavior,” Palley told Quartz. “Two years ago I left my own birthday party early to go photograph a fire.”
Taken with a long-exposure or under a starry night sky, the 27-year-old’s shots of flames and smoke engulfing hills, forests, roads and homes are hair-raisingly gorgeous.
Some of the most dangerous moments in nature may also be beautiful. One more tightrope for a serious photographer.
The Atomic Bomb Dome preserves one of the only structures left standing in Hiroshima after the world’s first nuclear attack 70 years ago. It’s now a World Heritage Site.
Reuters offers one of their great visual galleries – of the atomic blasts, then – and what lives there, now. From the Wider Image.
A long exposure photo of the 2012 Perseid shower, as seen in Wyoming — David Kingman
As Earth plows through a trail of dust and rock left behind by the comet Swift-Tuttle, tiny pieces of debris will enter our atmosphere and burn up, producing dazzling shooting stars. Starting around 10 pm local time (regardless of your time zone) on Wednesday, you’ll be able to see as many as 50 of these meteors per hour — with the show aided by the low amount of light coming from the barely visible crescent moon.
Click the link above for lot of details.
NASA’s Deep Space Climate Observatory (DSCOVR) has returned a breathtaking image of planet Earth from a distance of roughly one million miles from the homeworld. The image captures the full disk of our planet showing a stunning sunbathed vista of blue oceans and swirling clouds, with glimpses of the North and Central America land masses.
Thanks to the proliferation of Earth observation platforms coupled with the all-pervading reach of social media, images of our planet from space are easy to come by. However, most Earth imaging observatories are too close to the planet to capture a complete picture of the complex ecosystem that we call home…
DSCOVR…having reached its planned orbit in February, is capable of snapping regular high detail portraits of spaceship Earth from a staggering 1 million miles above its surface. This new image is a near perfect example of DSCOVR’s capabilities, displaying Earth hanging against the infinite blackness of space, granting a notion of the fragility of our planet, with a beauty to rival any image of Earth’s full disk taken to date…
The image was captured from the orbiter’s Earth Polychromatic Imaging Camera (EPIC), which boasts the capacity to observe our planet with the use of 10 narrowband filters between the ultraviolet to near infrared spectrums. In this case, three separate images were combined to create a finished piece with near photographic-quality.
My new favorite Blue Marble photograph.
The photo, part of Frank’s groundbreaking volume ‘‘The Americans,’’ was taken four days after an encounter with the police in Arkansas that darkened his artistic viewpoint…
Frank says he was most drawn to blacks: the bare-chested boy in the back of a convertible; the woman relaxing beside a field in sunny Carolina cotton country; the dignified men outside the funeral of a South Carolina undertaker, who uncannily bring to mind the day President Obama eulogized Clementa Pinckney. At first, the South was to him ‘‘very exotic — a life I knew nothing about.’’ Then, in November 1955, Frank was traversing the Arkansas side of the Mississippi River, ‘‘just whistling my song and driving on,’’ as he says, when a patrol car pulled him over outside McGehee. The policemen’s report noted that Frank needed a bath and that ‘‘subject talked with a foreign accent.’’ Also suspicious were the contents of the car: cameras, foreign liquor. Frank was on his way to photograph oil refineries in Louisiana. ‘‘Are you a Commie?’’ he was asked.
Ten weeks earlier, Emmett Till was murdered a hundred miles away. ‘‘In Arkansas,’’ Frank recalls, ‘‘the cops pulled me in. They locked me in a cell. I thought, Jesus Christ, nobody knows I’m here. They can do anything. They were primitive.’’ Across the room, Frank could see ‘‘a young black girl sitting there watching. Very wonderful face. You see in her eyes she’s thinking, What are they gonna do?’’ Because his camera had been confiscated, Frank considers the girl his missing ‘‘Americans’’ photograph. Around midnight a policeman told Frank he had 10 minutes to get across the river. ‘‘That trip I got to like black people so much more than white people.’’
RTFA. It’s long and interesting as anything you may find in the NY TIMES Magazine. Which means “very” interesting. I piss and moan about the politics of the TIMES, sometimes. That’s an editorial fault. That’s the fault of owners who like to stay on the side of the American State Department regardless of issue or history.
They have some of the best journalists in the country. Not as often as they used to – but, in the digital age that’s a problem to be expected.