The whole commercial makes no mention of brand or models excepting the tiny-print identifiers appearing for a second or two. If you’re in the market for something like this – you already know what you’re looking at!
This is from the Portland, Oregon, crew at Wieden+Kennedy
Wayne McClammy, Hungry Man
McClammy credits meeting Emilio Estevez with kick-starting his career (“If Emilio can direct, I can direct,” he thought), and soon he was making viral comedy hits, many for Jimmy Kimmel. (His short “I’m Fucking Matt Damon,” with Sarah Silverman, notably won an Emmy.) His star-studded reel showcases this broader gift for comedy. Case in point: a growing list of credits for Geico and The Martin Agency that includes the instant goofy-camel classic “Hump Day.”
“Hump Day” alone makes him a star in my skies.
Click here for nine more insane in the membrane-directors leading the world of commercial advertising.
It reads like the script from one of his horror films; a stolen head, burnt black candles and satanic symbols – but this week they became elements of Berlin police department’s latest case.
The head in question belonged to Friedrich Wilhelm Murnau, the director of the iconic early-20th-Century Dracula film adaptation ‘Nosferatu – a Symphony of Horror’, taken from his grave near the German capital.
And officers have have already turned their attention to Germany’s darker sects as they search for those who took the well-preserved body part from a grave site often scrawled with pentangles and other symbols of devil worship.
Murnau’s ‘Nosferatu’ was and remains one of the most important milestones in cinema.
Based upon Bram Stoker’s 1897 novel ‘Dracula’, it told the story of Count Orlok of the undead, and its moody scenes and clever camera angles influenced generations of fans and filmakers alike.
But death was at the heart of the movie and death has continued to stir the passions of vampire lovers ever since it was made in 1922.
Indeed, his own death in 1931 aged 41 was enough to elicit some fascination of its own: openly homosexual, he was engaging in oral sex with his 14-year-old Filipino houseboy on the Pacific Coast Highway at Santa Barbara when he lost concentration and slammed into a telegraph pole.
His corpse was embalmed and placed in a metal coffin, and the following year it was shipped to Germany for burial in Stahnsdorf’s south-west cemetery.
And down the years the lovers of the undead – goths, ghouls and living vampires who get their sexual thrills from the drinking of human blood – have made the pilgrimage to the grave of Murnau to pay their respects to a man…
Stahnsdorf cemetery warden Olaf Ihlefeldt found the head missing as he slid the lid of the coffin away while investigating minor damage he had spotted on mausoleum number 22.
‘The body is still in pretty good condition,’ he said.
Murnau’s head was still recognisable and had its hair and teeth, he added, ‘the last time I saw it‘.
RTFA for tidbits and collateral tales of Satanism, vampire cults and other slightly disturbing religious rationales for often-demented, sometimes fanciful behavior.
Good enough for today’s TV series.
I must admit when my parents convinced the head librarian of our neighborhood Carnegie Library that I – 8-years-old – had exhausted the offerings for teens and pre-teens and required an adult library card, I almost blew it when the first book I went to borrow was Bram Stoker’s “Dracula”.
Murnau’s “Nosferatu” has long been my favorite silent film. If you require a soundtrack, try the version by Werner Herzog, “Nosferatu the Vampyre”, starring Klaus Kinski and Isabelle Adjani.
It is definitely the golden age in cosmology because of this unique confluence of ideas and instruments. We live in a very peculiar universe—one that is dominated by dark matter and dark energy—the true nature of both of these remains elusive. Dark matter does not emit radiation in any wavelength and its presence is inferred by its gravitational influence on the motions of stars and gas in its vicinity. Dark Energy, discovered in 1998, meanwhile is believed to be powering the accelerated expansion of the universe. Despite not knowing what the dark matter particle is or what dark energy really is, we still have a very successful theory of how galaxies form and evolve in a universe with these mysterious and invisible dominant components.
Technology has made possible the testing of our cosmological theories at a level that was unprecedented before. All of these experiments have delivered very exciting results, even if they’re null results. For example, the LHC, with the discovery of the Higgs, has given us a lot more comfort in the standard model. The Planck and WMAP satellites probing the leftover hiss from the Big Bang—the cosmic microwave background radiation—have shown us that our theoretical understanding of how the early fluctuations in the universe grew and formed the late universe that we see is pretty secure. Our current theory, despite the embarrassing gap of not knowing the true nature of dark matter or dark energy, has been tested to a pretty high degree of precision.
It’s also consequential that the dark matter direct detection experiments have not found anything. That’s interesting too, because that’s telling us that all these experiments are reaching the limits of their sensitivity, what they were planned for, and they’re still not finding anything. This suggests paradoxically that while the overall theory might be consistent with observational data, something is still fundamentally off and possibly awry in our understanding.
The challenge in the next decade is to figure out which old pieces don’t fit. Is there a pattern that emerges that would tell us, is it a fundamentally new theory of gravity that’s needed, or is it a complete rethink of some aspects of particle physics that are needed? Those are the big open questions.
PRIYAMVADA NATARAJAN is a professor in the Departments of Astronomy and Physics at Yale University, whose research is focused on exotica in the universe—dark matter, dark energy, and black holes.
Click here to get to her essay + a half-hour video.
Ahmed’s pic from the Albuquerque Balloon Fiesta has shown up around the world
Apple’s World Gallery, part of the “Shot on iPhone 6″ media blitz, was honored at this year’s Cannes Lions International Festival for Creativity with five Gold Lions and a Grand Prix award in the outdoor category.
…Jury president Juan Carlos Ortiz, creative chairman ad agency DDB Americas, heaped praise on the idea of sourcing media from the public sphere. The strategy flies in the face of traditional media strategies which rely on art contracted from professional photographers.
“It’s not just a great idea, it’s a game changer,” Ortiz said. “It’s really opening a new way of doing things and changing behavior.”
World Gallery first showed up online in March as a collection of images taken by iPhone 6 users. While some images were captured by professionals in the photography field, many were shot by pro-am or amateur users. Earlier this month, Apple added a video section to the minisite, again featuring footage borrowed from iPhone 6 and 6 Plus owners.
I started noticing the video adverts showing up on TV in the last couple of weeks. Not only impressive work in most instances, I’m especially happy to see mostly amateurs receiving recognition.
There was a time, decades ago, that Kodak brought similar capabilities to hobbyist photographers. I’m delighted to see it happening again.
Click the link in this post to see the video at MoJo
Anyone near the internet last Saturday was treated to one of most glorious cable news gaffes in recent memory. CNN thought it had a stunner of a scoop: Gay pride was being infiltrated by Islamist terror!
CNN anchor Suzanne Malveaux crossed from the US studios to international assignment editor Lucy Pawle in London, who claimed to have spotted an ISIS banner amongst the rainbow-adorned floats at London’s annual LGBT pride parade. A glorious exclusive!…Peter Bergen, the network’s national security analyst, was even called in for his sober assessment.
The only problem? The banner Pawle spotted was a satirical flag adorned not with ISIS’s logo in Arabic, but with butt-plugs and dildos.
…Why did Paul Coombs—a self-described “collagist” and “multi-media dildo obsessive”—make the flag? “Medieval ideologies and barbarism were being spread and recorded through that most modern of expressions, social media, with that flag ever-present,” he writes in something of an artistic mission statement. “It has become a potent symbol of brutality, fear and sexual oppression. If I wanted to try and stimulate a dialogue about the ridiculousness of this ideology, the flag was key.”
“The Pride festival is a pure celebration of the finest aspects of humanity: of tolerance, togetherness, acceptance and liberation, the polar opposite of what Isis stands for,” he continues. “If there was anywhere where my flag had a voice, it was there.”
Coombs also writes, “CNN correspondent Lucy Pawle described my flag as a ‘very bad mimicry’ but the only bad mimicry I could see was CNN’s impression of a reputable news organization. What does this say about every other report that they broadcast? And why have they not mentioned it since?”
Like most of the mediocre poseurs in the news-as-entertainment racket, CNN hates to admit publicly when they’ve screwed up. Truth doesn’t matter. Integrity is a foreign concept. Reality might interfere with their dreams of being world-leaders in distributing profitable claptrap.
Lovely video. Talented, inventive editing. Sent to us by a long-term reader and Web partner.