Music isn’t made the same way, anymore

❝ It’s Grammy time, and as always, watching the awards ceremony…will include a subtext of cross-generational carping: “They don’t make music the way they used to,” the boomers and Gen Xers will mutter. And they’ll be right. Music today, at least most of it, is fundamentally different from what it was in the days of yore — the 1970s and 80s.

❝ Last year, the industry celebrated a sales milestone. The RIAA certified that the Eagles’ “Their Greatest Hits (1971-1975),” was the best-selling album of all time…the album, released almost exactly 43 years ago, was the first to be awarded platinum status…an evocative reminder that songs were once commodities so valuable that millions of people would even buy them in repackaged form. It was also a taken as a quiet victory for people who believe that music today is too loud…

❝ By “too loud,” I don’t mean you can’t crank the Eagles, if that’s your thing. I’m talking about loudness as a measure of sound within a particular recording. Our ears perceive loudness in an environment by reflexively noting the dynamic range — the difference between the softest and loudest sounds…A loud environment in this sense is one with a limited dynamic range — highs that peak very high, and lows that aren’t much lower…Compression boosts the quieter parts and tamps down louder ones to create a narrower range…

RTFA. For there has been and continues to be a war over sound. The sound landscape has never been more varied – from the audiophile with big bucks and peers and who can only afford to supplement the CDs they still buy, radio stations they listen to streamed online — to walking around music fans from hip-hop to classical listening through earbuds.

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