Zahn McClarnon in Dark Winds
So it was that after a certain long weekend noted not only for its reflections on gratitude but also a lot of revisionist history and rampant consumerism, we found ourselves chatting with Amber Dodson, director of the New Mexico Film Office — a position she assumed some three years ago (after overseeing Albuquerque’s citywide film office)…
“We know we’re on a great growth trajectory with New Mexico. We know we’re poised for growth — but this is kind of nuts.”…
Of course, production hasn’t been the only thing that’s gone nuts since Covid hit. Fissures that were already apparent in American (and global) culture erupted with a vengeance after the 2016 election, and with the ongoing politicization of the pandemic itself.
And not just the pandemic, of course. Books, amusement parks, teachers, women’s healthcare, the right to vote — all are currently under attack by forces that seem to view a razed, societal monoculture as their ultimate expression of the American experiment.
Those fissures have also resulted in productions moving from Georgia to New Mexico, Dodson recounts. When Gov. Brian Kemp signed Georgia’s restrictive voting measures into law after 2020’s false election claims, “we saw movies instantly relocate.”…
RTFA, please. Some will see this as a “worse for some, better for us” situation. Not really. Preparing for a productive future enables a wide range of opportunities. They can and will stem from any number of contextual flows. Positive, negative…simply folks seeking a better way to express and grow better lives for themselves and their families…