Anyone think the Fake President will be watching?
On March 1, 2017, nearly six weeks after President Trump had raised his right hand and swore to preserve, protect, and defend the Constitution of the United States, he struggled to read aloud the words of the founding document. A film crew had come to the White House to record the new president reading a section of the Constitution. Trump chose to participate in the HBO production because he did not want to forgo the chance to be filmed for history, and he knew that as the sitting president he would be the documentary’s most important character…
With LED lights on stilts in front of him, Trump took his seat. “You’re lucky you got the easy part,” Alexandra Pelosi [the director] told him cheerfully. “It gets complicated after this.” But the president stumbled, trying to get out the words in the arcane, stilted form the founding fathers had written. Trump grew irritated. “It’s very hard to do because of the language here,” Trump told the crew. “It’s very hard to get through that whole thing without a stumble.” He added, “It’s like a different language, right?” The cameraman tried to calm Trump, telling him it was no big deal, to take a moment and start over. Trump tried again, but again remarked, “It’s like a foreign language.”
“Every time he stumbled, he manufactured something to blame people,” another person in the room recalled. “He never said, ‘Sorry, I’m messing this up.’ [Other] people would screw up and say, ‘Ohhhh, I’m sorry.’ They would be self-effacing. He was making up excuses and saying there were distracting sounds.… He was definitely blaming everyone for his inability to get through it. That was prickly, or childish.” Though stiff, he eventually made it through without any errors.
The Fake President has a perfectly aligned style. Dumb and dumber. Ignorant and unforgiving. Irresponsible and cowardly.
Dan Winters/NY Times
Apted, now 78, is ready to wrap it up.
❝ To spend time with a child is to dwell under the terms of an uneasy truce between the possibility of the present and the inevitability of the future. Our deepest hope for the children we love is that they will enjoy the liberties of an open-ended destiny, that their desires will be given the free play they deserve, that the circumstances of their birth and upbringing will be felt as opportunities rather than encumbrances; our greatest fear is that they will feel thwarted by forces beyond their control…
❝ These are the tensions that have animated and shaped the “Up” programs on their way to becoming the longest-running documentary film series of all time…The first film was conceived as a special one-off episode of a program called “World in Action.” The mid-1950s saw an end to the BBC’s monopoly on terrestrial broadcasting, and “World in Action” became the flagship current-affairs program of a Manchester-based commercial upstart called Granada Television.
RTFA. I’ll not try to knock-off a precis of this documentary. It has stepped back into the lives of the children every seven years for about five edited minutes each time. It is the record of a changing society.
The Veteran Shakespearean actor Douglas Rain died today [November 11th]. Stanley Kubrick chose him as the voice of HAL in 2001 after hearing his narration in “Universe”, a 1960 National Film Board of Canada documentary.
Director and producer of films like Terminator, Titanic and Avatar, James Cameron has made a 9-part documentary on the environmental challenge climate change presents. The Years of Living Dangerously debuts Sunday night, April 13th, on Showtime. If you don’t subscribe to Showtime the debut will be available on YouTube.
Click on the graphic above to check out your choices.
An 83-year-old career criminal who says she has stolen jewelry the world over has been arrested on charges of trying to steal a $40,000 ring in California.
Doris Marie Payne, who was the subject of a documentary, “The Life and Crimes of Doris Payne,” was arrested Tuesday on suspicion of felony larceny, the Riverside County Sheriff’s Department said.
Payne “was implicated in a jewelry theft” at a jewelry store in Palm Desert, Calif., Oct. 21, the sheriff’s department said in a news release.
She was released from prison this year after serving 2 1/2 years of a 5 1/2 year sentence for stealing an $8,900 ring from a department store in San Diego.
She told a Los Angeles Times reporter for a story published in 2008 she was in her late 20s the first time she stole a diamond and has lost count of how much jewelry she has stolen…
Payne, who was being held on $45,000 bond, is also to be the subject of a feature film…
I hope she’ll make enough from the film to retire, eh?
Daylife/AP Photo used by permission
Hollywood director James Cameron has plunged nearly 11km (seven miles) down to the deepest place in the ocean, the Mariana Trench in the western Pacific.
He made the descent alone in a prototype submarine called “Deepsea Challenger”, taking around two hours to reach the bottom.
Once he reached a depth of 10,898 metres, his first words up to the surface were: “All systems OK.”
His craft is kitted out with cameras and lights so he can film the deep.
This is only the second manned expedition to the ocean’s deepest depths – the first took place in 1960. The earlier descent was made by US Navy Lt Don Walsh and Swiss oceanographer Jacques Piccard…
Before the dive, the Titanic director told the BBC, that making the descent was “the fulfilment of a dream“.
He said: “I grew up on a steady diet of science fiction at a time when people were living a science fiction reality…People were going to the Moon, and Cousteau was exploring the ocean. And that’s what I grew up with, what I valued from my childhood…”
Cameron spent the last few years working in secret with his team of engineers to design and build the craft, which weighs 11 tonnes and is more than 7m long. He describes it as a “vertical torpedo” that slices through the water allowing him a speedy descent.
The tiny compartment that the filmmaker sits in is made from thick steel, which is able to resist the 1,000 atmosphere of pressure he will experience at full ocean depth.
The sub has so many lights and cameras that it is like an underwater TV studio – with Mr Cameron able to direct and film the action from within…It also has robotic arms, allowing him to collect samples of rocks and soils, and a team of researchers are working alongside the director to identify any new species. He says that science is key to his mission.
Bravo, James Cameron! We’re all watching for a safe return.
Rob Spence, a Toronto-based film-maker, lost his right eye in a shooting accident on his grandfather’s farm when he was a teenager. Now 36, he decided some years ago to build a miniature camera that could be fitted inside his false eye. A prototype was completed last year, and was named by Time magazine as one of the best inventions of 2009. He calls himself “the Eyeborg guy”.
The eye contains a wireless video camera that runs on a tiny three-volt battery. It is not connected to his brain, and has not restored his vision. Instead it records everything that he sees. More than that, it contains a wireless transmitter, which allows him to transmit what he is seeing in real time to a computer.
The current model is low resolution, and the transmitter is weak, meaning that Mr Spence has to hold a receiving antenna to his cheek to get a full signal. But a new higher-resolution model, complete with stronger transmitter and a booster on the receiver, is in the works. He says: “Unlike you humans, I can continue to upgrade…”
As a film-maker, Mr Spence wants to use the camera to record “truer” conversations than would be possible with a handheld camera. “When you bring a camera, people change,” he says. “I wouldn’t be disarming at all. I would just be some dude. It’s a much truer conversation.”
His subjects would only become aware that they were being filmed after the conversation was over. Then he would give them a chance to sign, or not sign, a release form permitting him to use the footage.
He says: “There’s ethical issues with that, but I am a filmmaker. “If you’re averse to it, that’s fine, don’t sign the release form. I won’t put you in the documentary.”
The ethics may turn out to be bullshit; but, the documentary might be fun. Maybe even useful?
A violent ghost from my past appears at the end
On 7 October 1955, at the Six Gallery in San Francisco, Allen Ginsberg brought the house down with a performance of his hallucinatory new poem, Howl. Among other things, this epic work in four parts dealt with drugs, mental illness, religion, homosexuality – the fears and preoccupations of a generation.
Jack Kerouac and Lawrence Ferlinghetti were both in the audience. Ginsberg was 29 years old. Also present was the future choreographer and film-maker Yvonne Rainer. A teenager at the time, Rainer still clearly remembers that night: “Ginsberg, quite drunk, clean-shaven, in black suit and tie-less white shirt, holding a jug of rot-gut red wine, intoning and chanting the poem.” Back then, the beats were in thrall to the jazz world; Ginsberg himself explained his poem as akin to “bop refrains”.
Eight years ago, film-makers Rob Epstein and Jeffrey Friedman received a call from Ginsberg’s estate asking them to make a documentary about Howl. With the 50th anniversary of the poem’s publication (and subsequent obscenity trial) approaching, the estate wanted the best. Epstein and Friedman have, between them, won Oscars and Emmys for a lifetime of work including The Times of Harvey Milk, about the first openly gay man elected to public office in California; and The Celluloid Closet, based on Vito Russo’s book about screen depictions of homosexuality. Ginsberg’s estate knew the pair could deliver an in-depth documentary on time and on budget; plus, they were queer enough to understand the social pressures that formed the poet.
Had things gone as planned, the film would have been released in 2007, and it would have been a documentary. Instead, the hybrid drama that is Howl has its world premiere…on the opening night of the Sundance film festival. Epstein and Friedman ended up overshooting their deadline by three years, losing themselves completely in what turned out to be a mad project, struggling to create something worthy of Ginsberg’s incantatory work.
RTFA. I’d want to see the movie anyway. It’s about an important period of my life. I won’t bore you with the differentiating details.
It’s as relevant today as then. After all, the political dragons haven’t changed. They have as much power over government – how we all get to live and learn – as they ever have.
I attended readings by both Ferlinghetti and Ginsberg in NYC. Powerful, outstanding, challenging to a society constipated with conformity.