Almost a lost talent…
We cut the cable cord [well, satellite box cord] a couple of years ago. AppleTV had been a consistent, productive adjunctive device providing some of my favorite movies – and 4K was coming. We’ve experimented with a couple of streaming services, now, and I don’t mind admitting that to date cost is prime. Yes, “Prime” is another important word in our extended household.
Quality delivered for a certain cost is more important than quality alone. Our wee compound is entirely populated by retirees. Politicians who would screw over social security or Medicare or Obamacare should only dare enter our driveway in an armored vehicle. Budgets for retirees always end up being a life-or-death discussion.
Right now, AppleTV is primarily a delivery system. Damned good, for example – when we actually catch a live 4K feed of, say, a Euro or British football match. Exceptional, satisfying, mind-grabbing when it’s episode after episode of a murder mystery with Detective Bosch stalking the villain. Yeah, the commercials are right.
We’ll decide about AppleTV+ — the streaming service — after we try it. Storytelling will play as big a part as cost, no doubt. But, the storytelling is how it always starts. A great deal on crap television is not what we’re looking for.
First there were dancing robots, then house-sitting robots and now a new breed of acting robots is making its big debut on the Japanese stage.
The play, which had its premiere at Osaka University, is one of Japan’s first robot-human theatre productions.
The machines were specially programmed to speak lines with human actors and move around the stage with them.
Playwright Oriza Hirata says the work raises questions about the relationship between humanity and technology.
Once you get away from the hustle, of course, you know the work raises questions about the relationship between humans and humans pretending not to be humans. That’s all.
Not that we have any shortage of robot-like actors.